Three Productions in Three Nights
Plaque at the site of the original Globe in front of the Financial Times offices |
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After seeing Blood Brothers |
Blood Brothers
On Monday night we saw "Blood Brothers" at the Phoenix Theatre. There's a moral about class in British society, and I suspect the relationship between the brothers is a metaphor for Ireland. There's certainly a good deal of cultural specificity related to English superstition. All of that amounts to a show that probably holds a special place in many an Englishman's heart; it's in its 24th year at the Phoenix Theatre with a long run elsewhere before that, yet the audience seemed to be primarily British.The production wasn't bad, and the female lead really brought it home at the end, but the show just doesn't have the resonance for us that it had for my fellow audience members, based on their applause.
Hedda Gabler
Les Misérables
The Queen's Theatre, situated between the gay bars, sex shops, and Chinatown of the West End, was our destination this evening. Carly had not yet seen this wonderful production, and I had only seen it as a pre-pubescent boy with as little appreciation for its deeper themes as I had for the elegance of its staging at the Wintergarden. Tonight's production, though, found us willing and prepared, keeping us enchanted for the duration.Though our seats were pretty bad and the understudy for Jean Valjean performed due to an "indisposition" on the part of he who had been cast in the role, the beauty and power of the story and the technical presentation, saying nothing of the strength of Joubert's portrayal, was more than enough to hold us rapt.
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